CEMI is the hub of activity for a diverse group of people, including the CEMI staff, UNT composition faculty, UNT students, affiliated researchers and composers, and other artists and performers working in diverse media. In this part of the CEMI site you will find information about the different people that make up the CEMI family, beginning with the CEMI staff...

CEMI

Dr. Andrew May, Director
Nick Bober
Greg Dixon
Jason Fick
Gary Knudson


Faculty
click for faculty bios...


Former Directors
Jon C, Nelson
Joseph Rovan
Larry Austin
Thomas Clark
Phil Winsor
Merrill Ellis; Founder EMC


Former Staff
Dave Gedosh
Chapman Welch
Jing Wang
Chien-Wen Cheng
Camilo Salazar
Peter McCulloch
Jeff Morris
Jon Anderson
Hsiao-Lan Wang
John Dribus
Terry Lee



 

Dr. Andrew May, Director
amay@music.unt.edu // (940) 891-6816
personal website...

Andrew May (born Chicago, 1968), is a composer and computer music  researcher, and a member of the composition faculty at the University  of North Texas, where he directs the Center for Experimental Music  and Intermedia. His music has been performed in Japan, Korea,  Singapore, Greece, Switzerland, Germany, and England, and throughout  the United States. His music is recorded on SEAMUS Volumes 9 and 15  and Elizabeth McNutt's pipe wrench. May has composed for orchestra,  chorus, wind ensemble, and diverse chamber ensembles, and is best  known for chamber music with live interactive computer systems. Also  a violinist, improviser, and conductor, he has performed in Germany,  Switzerland, and numerous US venues, and is recorded on CRI. He co- founded the presenting organization Atomic Clock Music Events. May is  a board member and officer of the International Computer Music  Association. He holds degrees from the University of California at  San Diego (PhD composition, 2000), the California Institute of the  Arts (MFA composition and violin, 1994), and Yale University (BA  summa cum laude with distinction in composition, 1990), and attended  the Stage d'Informatique Musicale at IRCAM in 1998. His primary  teachers were Roger Reynolds, Mel Powell, and Jonathan Berger,  composition; Miller Puckette, computer music; Laura Kuennen-Poper and  Jonathan Dubay, violin; George Lewis, improvisation.