Compositions since 1990

Chamber Music

Awake, Dreaming, 2007: violin and cello (improvising), 10', Denver, CO, 6-29-07

Tender Intervals, 2003: violin, cello, piano, 8', Boulder, CO, 10-17-03

Treacherous Marbles, 2003: piano duo, 9', Boulder, 11-30-06

from "Calamus" (text: Walt Whitman), 2003, baritone voice, cello, piano, 6'; Boulder, 3-2-05

Edgewise, 2002: violin duo, 5', San Diego, CA, 11-20-02

Ghost Dances, 2001: violin and darabukka, 7'; Starkville, MS, 4-3-01

Four Love Sonnets of Neruda (text Pablo Neruda), 1999: sop + perc, 27'; San Diego, 4-28-99

GR--V-, 1997: percussion (two players), 2 - 4'; San Diego, 5-8-97

Solo for Three, 1996 (revised version): trumpet in c, percussion, and violin, 8 ½'; San Diego, 2-18-97

Chicago: Ten and Six to Eight (text Andrew May), 1995: sop, fl, perc, vc, pno, 17'; San Diego, 10-17-95

Aquí (text Octavio Paz), 1995: soprano and flute, 1 ½'; San Diego, 5-28-95

Suspensions, 1994: flute, violin and piano. 2'; Arcosanti, AZ, 8-20-94

Marginalia, 1994: violin and cello, 10'; Buffalo, NY, 6-6-96

Raging Against Their Chains, 1993: clarinet and percussion, 8'; Valencia, CA, 5-13-94

Confluence, 1993: violin and piano, 7 ½'; Newhall, CA, 5-3-94

Distorting Mirror, 1993: string quartet, 6'; Valencia, 5-14-94

Suite: Songs of Praise, 1991: oboe, clarinet, cello, and piano, 17'; Chicago, IL, 12-24-91

Music for Instruments with Electronics

Still Angry, 2007: flute, clarinet, and computer, 8'; Manchester, England, 11-4-07

A Room Full of Ghosts, 2006: piccolo and computer, 8'; Bourges, France, 6-3-06

Wandering Through The Same Dream, 2005: two clarinets and computer, 7'; Tokyo, Japan, 7-22-05

Chant/Songe, 2004: clarinet and computer, 11', Santa Barbara, CA, 2-19-04

Shimmer, 2002: piano and recorded tracks, 12'; Boulder, 2-13-02

Retake (with E.  McNutt), 2001: flute (improvising) and computer, 9 ½'; Saint Louis, MO, 3-23-01

Vanishing (text Ralph Waldo Emerson), 2000: fl, pno, perc, 2 vl, 2 vc, computer, 22'; San Diego, 5-30-00

Folly, 2000: violin (improvising) and computer, 6 - 8'; San Diego, 6-30-00

Cloning Dolly (with E. McNutt, H. Castle), 1999: picc, vln, computer, 10 - 12'; San Diego, 5-24-99

Altered in Transmission, 1997: vibraphone and computer, 15 - 20'; San Diego, 2-19-97

Ripped-Up Maps, 2003 (revised version): violin (improvising) and computer, 6 - 10'; San Diego, 5-30-96

The Twittering Machine, 1995: flute and computer (flute and CD version 1996), 7'; San Diego, 2-28-95

Informed Consent, 1992: solo instrument (improvising) and electronics, 5 - 7'; Valencia, 3-8-92

Singing Boxes, 1991: violin and tape (or CD), 8 ½'; New Haven, CT, 5-1-91

Large Ensemble Works

Proteus, 2005 (revised version): symphonic wind ensemble, 13'; Boulder, 2-8-05

love is the every only god (text: E.E. Cummings), 2002: SATB choir with soloists, Boulder, 4-30-04

Promises of Babylon (text: Andrew May), 1999: sop, bass-bari, ensemble, 31'; San Diego, 4-14-00

Strategies: A Card Game, 2003 (revised version): large improvising ensemble, variable duration

Liberty of Movement, 1994: large conducted improvising ensemble, 5 - 10'; Newhall, 2-16-94

Without Undue Concern, 1990: orchestra, 15'; New Haven, 9-15-90

Solo Works

Diatoms, 2001: solo electric guitar, 4'; Starkville, 4-3-01

Clarion Arabesque, 2001: solo trumpet in c, 4'; Starkville, 4-3-01

Sketches of Ghosts, 1998: solo piccolo, 8'; Frankfurt, Germany, 10-19-98

Five Soliloquies for flute alone, 1994 (revised version): solo flute, 8'; Darmstadt, Germany, 8-7-94

Frei, Aber Einsam, 1994: solo viola, 7'; San Diego, 6-5-95

Drei Kleine Klavierstücke, 1992: solo piano, 4'; Valencia, 9-16-92

Prelude in B Minor, 1992: solo piano, 2 ½'; Valencia, 2-19-92

Works on Recording

Vital Signs (texts Andrew May), 1992: 13 rock songs, 48' total

contruction/destruction (text: Anthony May), 1990: electronics on tape, 5'

Keep in a Cool, Dry Place, 1990 (with Persona Non Grata): 6 rock songs, 22' total